Additionally, custom scrolling text can be added to any display. The other massive advantage is that location changes are quicker than the cumbersome “fly” system used to switch backdrops. Programmable LED Video Curtain can be used for stage treatment, buffet treatment or. For example, in the recently staged The Sound of Music at Tata Theatre, Maria’s song The Hills Are Alive had clouds moving in the background something a traditional painted/printed backdrop could never have. Find the high quality p120 flexible LED curtain video display panel for sale on stage here at LightS Technology which is one of the leading manufacturers. It is the best choice for commercial display, architectural applications, and stage performance. However, the advantage of LED is that the background can be ‘live’. Each new location means a new visual of what is happening on the backdrop. Ten years ago, Fali Unwala’s set for The Graduate received rave reviews because of its numerous backdrops. ![]() Traditionally, a show’s production value used to be measured by the number of changing backdrops it had. Unparalleled flexibility is suitable for versatile shapes LED screens. Simple and clean style, no visible frames and cables, transparency up to 80. Ultra soft and light LED strips, 16mm thickness only and weight is less than 6kg/sq.m. In principle, the LED screen has replaced the old backdrop curtains. Originality design transparent LED curtain looks as clear as crystal. However, with the advent of LED screens, video-based sets have received a new lease of life. And even though newer lenses have allowed shorter throw distances, both kinds of projections still limited the lighting states because any light thrown on the projection surface would ‘dull’ the image. Back projection meant sacrificing large parts of the stage to allow appropriate distance. However, front projection was never very successful because actors invariably would be caught in the projection beam. ![]() Projections have always been a tool in the armoury of a stage designer.
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